It’s simple really. I come to Makhanda, I find a spot, I build myself a shelter, I take it down. Another day I try somewhere else in the world. I’m trying to feel at home anywhere. I want to know what is required of a stranger in a new city and what is required of a city when the new arrival appears. There are questions about entitlement, identity, belonging, freedom, home. Part sculpture, part protest, part ceremony. The invitation is to witness me and your neighbourhood. Come and go, pass by, stay - it takes me a while. See how well Makhanda and I meet. It seems that someday soon we may all have to find elsewhere to live, how will that go? Part of National Arts Festival. #I'mGoingtoNAF thanks to Horizon Onward to Touring Fund

It’s simple really. I come to Makhanda, I find a spot, I build myself a shelter, I take it down. Another day I try somewhere else in the world. I’m trying to feel at home anywhere. I want to know what is required of a stranger in a new city and what is required of a city when the new arrival appears. There are questions about entitlement, identity, belonging, freedom, home. Part sculpture, part protest, part ceremony. The invitation is to witness me and your neighbourhood. Come and go, pass by, stay - it takes me a while. See how well Makhanda and I meet. It seems that someday soon we may all have to find elsewhere to live, how will that go? Part of National Arts Festival. #I'mGoingtoNAF thanks to Horizon Onward to Touring Fund

It’s simple really. I come to Bloemfontein, I find a spot, I build myself a shelter, I take it down. Another day I try somewhere else in the world. I’m trying to feel at home anywhere. I want to know what is required of a stranger in a new city and what is required of a city when the new arrival appears. There are questions about entitlement, identity, belonging, freedom, home. Part sculpture, part protest, part ceremony. The invitation is to witness me and your neighbourhood. Come and go, pass by, stay - it takes me a while. See how well Bloemfontein and I meet. It seems that someday soon we may all have to find elsewhere to live, how will that go? Part of Vrystaat Kunstefees @VKF Thanks to Horizon Onward Touring Funding

It’s simple really. I come to Bloemfontein, I find a spot, I build myself a shelter, I take it down. Another day I try somewhere else in the world. I’m trying to feel at home anywhere. I want to know what is required of a stranger in a new city and what is required of a city when the new arrival appears. There are questions about entitlement, identity, belonging, freedom, home. Part sculpture, part protest, part ceremony. The invitation is to witness me and your neighbourhood. Come and go, pass by, stay - it takes me a while. See how well Bloemfontein and I meet. It seems that someday soon we may all have to find elsewhere to live, how will that go? Part of Vrystaat Kunstefees @VKF Thanks to Horizon Onward Touring Funding

Part protest, part-sculpture, part-ceremony. Sometimes there is an experience that is difficult to turn into words, and I am from Reykjavik is certainly one of those. The project is complex and meandering and requires some patience. It is a slow unfold of someone claiming a space, building a shelter, taking it down. A happening that the artist hopes you stumble upon, with your own emotional landscape and stay to patiently unravel what you witness.

Part protest, part-sculpture, part-ceremony. Sometimes there is an experience that is difficult to turn into words, and I am from Reykjavik is certainly one of those. The project is complex and meandering and requires some patience. It is a slow unfold of someone claiming a space, building a shelter, taking it down. A happening that the artist hopes you stumble upon, with your own emotional landscape and stay to patiently unravel what you witness.

Part protest, part-sculpture, part-ceremony. Sometimes there is an experience that is difficult to turn into words, and I am from Reykjavik is certainly one of those. The project is complex and meandering and requires some patience. It is a slow unfold of someone claiming a space, building a shelter, taking it down. A happening that the artist hopes you stumble upon, with your own emotional landscape and stay to patiently unravel what you witness.

I’d like to meet some people in Stockholm who are a bit like me. Are you: -a woman in her late 50s -someone who cared for an elderly parent -a single parent of a single child -in a mixed-race relationship -someone who used to be a political activist -fat -Black -a child of an immigrant -someone who is not sure they’re living in the right place -an artist for over 20 years -someone who has been to jail -someone who likes gardening -someone who was born working class, but now is probably middle class As part of my project to be free, to be a post-racial, global citizen, I would like to meet people a bit like me in Stockholm. You pick the place, I meet you, we have a chat, I’ll buy you a coffee, that’s it. If you’re curious to meet someone like you. Send me a message here, or via MDT part of Lustholmen Festival by MDT

Part protest, part-sculpture, part-ceremony. Sometimes there is an experience that is difficult to turn into words, and I am from Reykjavik is certainly one of those. The project is complex and meandering and requires some patience. It is a slow unfold of someone claiming a space, building a shelter, taking it down. A happening that the artist hopes you stumble upon, with your own emotional landscape and stay to patiently unravel what you witness.

Part protest, part-sculpture, part-ceremony. Sometimes there is an experience that is difficult to turn into words, and I am from Reykjavik is certainly one of those. The project is complex and meandering and requires some patience. It is a slow unfold of someone claiming a space, building a shelter, taking it down. A happening that the artist hopes you stumble upon, with your own emotional landscape and stay to patiently unravel what you witness.